A5

Giclee Print 210mm x 148.5mm

A woman in a white wedding dress is lying on a wooden bed with a white sheet. Her curly long red hair is spilling onto the pillow and in her hand is her heart, she is holding and staring at it. There is blood in front of her as if her heart has been ripped out. Next to her, in the place where her husband should be is an empty coffin with the lid off.
…And Who Will Die
"A woman in a white wedding dress is lying on a wooden bed with a white sheet. Her curly long red hair is spilling onto the pillow and in her hand is her heart, she is holding and staring at it. There is blood in front of her as if her heart has been ripped out. Next to her, in the place where her husband should be is an empty coffin with the lid off."
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A golden Age of Couture. This is an abstract painting of a woman dancing. The body was drawn moving and dancing over and over again and then yellows and oranges were applied between the lines in sections of colour. This painting was done over a postcard of women dressed in 1950's couture. The ladies on the postcard were painted out except for their heads.
A Golden Age of Couture
This is an abstract painting of a woman dancing. The body was drawn moving and dancing over and over again and then yellows and oranges were applied between the lines in sections of colour. This painting was done over a postcard of women dressed in 1950's couture
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A War Not Over Yet. A small Jack Russell dog has the head of a woman. Her lead is made from an orange belt which is being held outside the picture so you can not see a hand holding it. The woman has dark eyeliner and red lipstick. The background is a collage of images of women graduating, a policaman playing chess and words such as "Politics" and "a war not over yet"
A War Not Over Yet
A War Not Over Yet. A small Jack Russell dog has the head of a woman. Her lead is made from an orange belt which is being held outside the picture so you can not see a hand holding it. This was painted after Red saw an advert for a belt that was around a womans neck in the same way as the painting.
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Cunt
Orange, pink and red flowers are on a brown background, this is original 1970's wallpaper. The word cunt is across the middle in a bright turquoise.
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Abstract painting of a woman dancing in whites, oranges and browns. Within the image is a pair of eyes. The painting was created over the top of a postcard of the film The Shining, and the eyes belong to Jack Nicholson, he had just hacked his way through the bathroom door, pushed his face through the gap created with an axe, and said "Here's Jonny". The painting is named "Here's Jonny"
Here’s Johnny
Abstract painting of a woman dancing in whites, oranges and browns. Within the image is a pair of eyes. The painting was created over the top of a postcard of the film The Shining, and the eyes belong to Jack Nicholson, he had just hacked his way through the bathroom door, pushed his face through the gap created with an axe, and said "Here's Johnny".
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Collage painting, mixed media. Top right a volcano is erupting, underneath it are waves of red hair, Frida's ear from a painting. Below that there are giant cactuses and at the bottom right are abstract paint bottles, representations of Frida's table in her studio. Upon the table is an image of Frida Kahlo's portrait mirror and the reflection in it is a side profile of Red. Her blue dress with orange flowers is also reflected in the mirror. Frida's hand touches Red's cheek and behind Red are plants from one of Frida's paintings. There is a large hibiscus flower in the top left corner of the mirror, it is Pink Below the imagery in the bottom section of the paining are the words "I followed your example and it led to me painting myself in your mirror" in both English and Mexican Spanish
I Followed Your Example
Collage painting, mixed media. In the top right a volcano is erupting, underneath it are waves of red hair and Frida's ear from a self portrait painting by Frida. Below that there are giant cactuses which Red saw outside Frida's house, and at the bottom right are abstract paint bottles, representations of Frida's table in her studio. Upon the table is an image of Frida Kahlo's portrait mirror and the reflection in it is a side profile of Red. Her blue dress with orange flowers is also reflected in the mirror. Frida's hand touches Red's cheek in a gentle act of support representing the impact that Frida has had on Red and her artwork collection. Behind Red are plants from one of Frida's paintings. There is a large hibiscus flower in the top left corner of the mirror, representing the flower Red studied while on a residency in Mexico. Below the imagery in the bottom section of the paining are the words "I followed your example and it led to me painting myself in your mirror" in both English and Mexican Spanish.
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Perfect Skin. This is an abstract painting of a woman dancing. The body was drawn moving and dancing over and over again and then yellow, black, cream and red was applied between the lines in sections of colour. This painting was done over a 1960 magazine advert of a woman applying cream to her perfect skin.She was painted out except for her left eye, which is now peeking through the dancing woman.
Perfect Skin
This is an abstract painting of a woman dancing. The body was drawn moving and dancing over and over again and then yellow, black, cream and red was applied between the lines in sections of colour. This painting was done over a 1960 magazine advert of a woman applying cream to her perfect skin.
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A woman with long curly red hair is wearing a white flower crown. She is under the night sky and there are stars around her head. Her chest is open as if she is having heart surgery and medical implements hold her skin open revealing her heart. Two arteries travel from the heart, through her hair and finish by her eyes, each dripping blood as if they are tears. The blood is running down her face. In front of her naked form are fig leaves which cover her breasts. She is the moth, attracted to false light.
The Moth
"A woman with long curly red hair is wearing a white flower crown. She is under the night sky and there are stars around her head. Her chest is open as if she is having heart surgery and medical implements hold her skin open revealing her heart. Two arteries travel from the heart, through her hair and finish by her eyes, each dripping blood as if they are tears. The blood is running down her face. In front of her naked form are fig leaves which cover her breasts. She is the moth, attracted to false light."
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A painting with a collaged background and rows of dots turquoise over printed with red cover the entire image. A section at the bottom is cut off and contains the words "The number of times you hurt me, even though I loved you" in both English and Spanish
The Number of Times You Hurt Me
A painting with a collaged background and rows of dots turquoise over printed with red cover the entire image. A section at the bottom is cut off and contains the words "The number of times you hurt me, even though I loved you"; in both English and Spanish
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We Learnt to Fly is written in white text to the top right of this painting of a red boot. The boot belonged to Frida Kahlo and has embroidered flowers and shapes on the front of the boot and a bell is attached with a sky blue ribbon
We Learnt to Fly
We Learnt to Fly was inspired by Red's visit to Frida Kahlo's House where she saw Frida's boot, a symbol of her amputee experience and her words, "who needs limbs when you can learn how to fly".
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A small girl is watched by judging eyes, they are on a red thread, waving in the air and going left to right across the blue sky. There are horizontal red stitches in the girls mouth. Disempowering her from speech, but not thought. This painting is inspired by the Scandinavian tale of the Wyrd Sisters.
Wyrd
In Nordic Folklore the Wyrd sisters attend the birth of every child and weave its fate. The horizontal threads cannot be controlled by the child, but the vertical threads can. A small girl is watched by judging eyes, this she cannot control. There are vertical red stitches in the girls mouth, disempowering her from speech, but not thought.
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